Sussy Santana’s sincere and emboldened voice returns in her second book Domestic Poems. In her poems, she places a necessary mirror in front of herself and us as her reader. Its poetry takes us through moments of introspection and decisiveness about what we accept and create as the standard in our world. She is able to capture the visceral realities of women through her delicate yet forceful poetic play with words. Her line, “a woman without a tongue is a town without a future”, captures the urgency of “reclaiming” the ability to make our own life decisions and the ability to maximize the use of voice. Santana makes us defintively look at voice, body and actions throughout her book. What may seem like a basic rite of passage is revealed to be an oppressive force that stymies the personal growth of a woman in her world. Her poems identify the role of playing with dolls or cooking as the walls that contain and domesticate girls throughout their development. Domestic Poems goes beyond calling out the societal expectations. Santana succeeds in giving examples of approaching these moments through the language of her introspective poetry. “To say no” in her poem “The no rhymes” is a repetitive phrase that becomes an affirmational phrase for us to learn and to use. Sussy Santana’s book brings us home, points to the areas that need dusting and inspires us to do the same in our own lives.
En su segundo libro Poemas Domésticos, regresa la animada y sincera voz de Sussy Santana. En su poesía, posiciona un espejo frente de ella y de nosotros. Los poemas decisivamente e introspectivame