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The Cloisters

The Cloisters museum and gardens, the branch of The Metropolitan Museum of Art devoted to the art and architecture of medieval Europe, was assembled from architectural elements, both domestic and religious, that largely date from the twelfth through the fifteenth century.

The building and its cloistered gardens—located in Fort Tryon Park in northern Manhattan—are treasures in themselves, effectively part of the collection housed there. The Cloisters’ collection comprises approximately two thousand works of art.

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The Hispanic Society of America

The Hispanic Society of America, located on Audubon Terrace, Broadway, New York, provides a free museum and reference library for the study of the arts and cultures of Spain, Portugal, and Latin America.

The collections of the Hispanic Society are unparalleled in their scope and quality outside the Iberian Peninsula, addressing nearly every aspect of culture in Spain, as well as a large part of Portugal and Latin America, through the twentieth century.

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Morris-Jumel Mansion

During the decade before the Revolutionary War, the Georgian house, with its monumental portico and octagonal drawing room, was the setting for some of the colony’s most fashionable parties.

In the fall of 1776, the Mansion was seized by the Continental Army and served as headquarters for George Washington during the Battle of Harlem Heights. British and Hessian commanders occupied the house after Washington’s retreat from New York.

In the summer of 1790, Washington returned to the Mansion and dined with the members of his cabinet. Among those at the table were Thomas Jefferson, Alexander Hamilton, John Adams, John Quincy Adams, and Henry Knox.

In 1810, wealthy French wine merchant Stephen Jumel and his American wife, Eliza, purchased the Mansion, and spared no expense refurbishing it. In 1828, they returned from Paris with crates of furniture and paintings, much of which they claimed had belonged to Napoleon. A year after Stephen Jumel died in 1832, his widow married former vice president Aaron Burr. The marriage ended quickly and Eliza lived alone in the house until her death in 1865.

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Dyckman Farmhouse Museum

Dyckman Farmhouse Museum tells the story of rural Northern Manhattan, a landscape and a lifestyle that disappeared in the transformation from farming community to urban neighborhood.

Through the story of the Dyckman family and farm the museum explores life in early 19th century rural Manhattan and the preservation of that memory in the early 20th century. During the city period, 1915-1916, the neighborhood was transforming and the Dyckman sisters responded by saving the farmhouse and creating the museum.

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