Tag Archives: Our Saviour’s Atonement

Our Saviour’s Atonement: Ekmeles vocal ensemble Valentines Day “Stimmung”

Ekmeles vocal ensemble gives their annual Valentine’s Day performance of Karlheinz Stockhausen’s landmark 1968 work Stimmung. The work is a touchstone of 20th century composition, a meditative concert-length work wholly based around a single tone and its acoustically tuned overtones. The spirit of the 60s is present not only in the work’s experimental striving, but also its personal eroticism, which inspired Ekmeles’s Valentine’s Day tradition and the title and motto for the event: Stimmung is for lovers.

Stimmung translates literally to “tuning”, and also can refer to “atmosphere” or “harmony”, encompassing both the theoretical focus of the work, and its meditative aspects. Composed while Stockhausen was living on Long Island Sound in Connecticut, Stimmung is a captivating balance between intellectual rigor and spiritual exploration. The pitch material of the work is derived from a single low Bb, overtones of which the singers articulate on pulsing rhythmic patterns of vowels. Treating each of the overtones of this fundamental Bb as new fundamentals on which to produce overtones, Stockhausen multiplies the timbral possibilities of the work into the hypnotic and rich textures it is known for.

Director and baritone Jeffrey Gavett will be joined by sopranos Charlotte Mundy and Amber Evans, countertenor Timothy Parsons, tenor Tomás Cruz, and bass Steven Hrycelak.

Music at Our Saviour’s Atonement: Katarina String Quartet

Join us for our first concert of MOSA’s new 2026 season! The Katarina Quartet presents a thrilling, wide-ranging classical program.

Grand Prize winner of the 2025 Fischoff Competition, and currently in residence at The Juilliard School, the Katarina String Quartet has quickly distinguished itself as one of North America’s most compelling young ensembles. The tightly-knit and community focused quartet presents a dynamic program of old favorites and contemporary masterpieces in MOSA’s first concert of the 2026 season.

Program to include:

Joseph Haydn—String Quartet in C Major, Op. 50 No. 2 (1787)

Vivian Fung—String Quartet no. 5 “Spiraling” (2021)

Québecois folk selections (to be announced)

Benjamin Britten—String Quartet No. 2, Op. 36 (1945

Music at Our Saviours Atonement: silent night–Magpie Duo Concert

Join MOSA co-directors Lauren Conroy and Matthew Schultheis (performing as Magpie Duo) for a popup fundraiser concert  Come early for snacks and drinks, enjoy a wide selection of cozy, low-key classical and contemporary violin/piano miniatures, and support MOSA’s upcoming season at the close of the holidays!

The program will include favorites by Bach, Debussy, and gems from composers like Carl Nielsen, Eugène Ysaÿe, George Enescu, and more, featuring a new premiere by Matthew Schultheis.

Our Savior’s Atonement: WHCO Family Concert “The Places That Inspire Us”

Bring the whole family to our “Meet the Instruments” petting zoo where even our youngest listeners can get up close and personal with their favorite instruments before seeing them come alive onstage. Then find your seats for our enchanting and engaging Family concert! Narrator Sarah will guide you through musical selections from our MainStage concert “The Places that Inspire Us.”
  • 2:15pm-2:45pm: Meet the Instruments
  • 3pm-3:45pm: Family Concert

Best for children age 1-10 and their families.
*All attendees must purchase a ticket. Infants under the age of 1 receive complimentary admission.

WHCO Family concerts are relaxed performances.

Our Savior’s Atonement: WHCO main concert “The Places That Inspire Us”

In The Places That Inspire Us, we explore music inspired by real-world settings and the emotional landscapes they evoke. The program begins with Anna Clyne’s Restless Oceans, a thrilling contemporary work for chamber orchestra that channels the turbulence and strength of the sea. This work draws inspiration and its title from A Woman Speaks – a poem by Audre Lorde.  Next on the program, WHCO is joined by Ariadne Greif for Samuel Barber’s Knoxville: Summer of 1915, a nostalgic meditation on childhood and place, set to the words of James Agee. Concluding our program is Felix Mendelssohn’s Symphony No. 3 “Scottish”, a sweeping tribute to the rugged romance of the Scottish Highlands.

This concert will be approximately 1hr, no intermission. Reception to follow.