Tag Archives: Our Saviour’s Atonement

Carnegie Hall Citywide Concerts at Our Saviour’s Atonement: Bridget Kibbey, Bach to Brazil

When you hear Bridget Kibbey, you’ll toss aside everything you thought you knew about harp music. Praised for her “bravura and sensitivity” (The Washington Post), her daring and diverse programming spans the Baroque era—her performance of Bach’s Toccata and Fugue in D Minor is a YouTube sensation—to explorations of Brazilian dance music. She regularly performs with The Chamber Music Society of Lincoln Center, is a passionate advocate for living composers, and has toured and recorded with such superstars as Plácido Domingo and Dawn Upshaw.

A celebration of Nuevo Latino Culture, Bridget as assembled an all-star cast of musicians merging the jazz and classical worlds, including percussion giant Samuel Torres, and guitarist João Luiz Rezende.

About Carnegie Hall Citywide
Carnegie Hall is honored to partner with local community organizations to present free concerts that are sensational celebrations of sounds from across the country and around the globe. At a Carnegie Hall Citywide concert, you can revisit your favorite music or try something new, stay in your home borough or journey farther afield. Whatever you choose, you’ll experience everything that makes New York City so vibrant.

NY Chamber Collective presents The Musical Melting Pot

PROGRAM NYCC explores past and present cultural influences on composers of chamber works from the Americas.

FEATURING Andy Bhasin, violin Artie Dibble, violin Philip Carter, violin/viola Drew Vella, viola David West, cello

NY Chamber Collective seeks to showcase top-notch chamber music concerts in intimate settings; allowing the audience an up close look at what makes great music. With a flexible instrumentation NYCC adapts the ensemble to make the most engaging and meaningful concert experiences for their fans.

Concerts at Our Saviour’s Atonement: Fair Trade Trio with guest Taisiya Pushkar

The Fair Trade Trio specializes in creating accessible performances for all audiences and has a mission to champion the works of living female composers alongside the standard chamber music canon. The program begins with Jessica Meyer’s I Only Speak of the Sun, which was inspired by Rumi’s Ode by the same title while exploring the palette of colors the string trio can produce, followed by Schnittke’s searing String Trio, and the deeply emotional yet restrained lyricism of Faure’s first piano quartet.

JESSICA MEYER (b. 1974) I Only Speak of the Sun​
FAURE Piano Quartet No. 1, Op 15

Fair Trade Trio
— Ashley Windle, violin
— Hannah Levinson, viola
— Madeline Fayette, cello
with guest Taisiya Pushkar, piano

​All of the musicians appearing on the program (including composer Jessica Meyer) are current or former long-time residents of Washington Heights and Inwood.

About Fair Trade Trio
The Fair Trade Trio’s 2019-20 season will highlight works written by living female composers including Jessica Meyer’s I Only Speak of the Sun, Kaija Saariaho’s Cloud Trio, and Missy Mazzoli’s Lies You Can Believe In with performances at Music at Our Saviour’s Atonement (MOSA) and The DiMenna Center for Classical Music. In addition to the works by living female composers, programming will include Schnittke’s String Trio and Faure’s Piano Quartet No. 1 with pianist Taisiya Pushkar.

Last season the Trio made its debut at the new music venue MISE-EN_PLACE in Brooklyn, NY and also presented the world premiere of Alon Nechushtan’s Fractured Fairy Tales, a work which is dedicated to the Fair Trade Trio. In the spring, the Trio was in residency at Smith College where it collaborated with the composition students to create new works for string trio. The Trio coached the students on the best composition practices, allowing the students to hear their music come to life through experimentation during the workshop days and culminating in a final performance of the students’ works. Additionally, the Fair Trade Trio performed a concert featuring works of living female composers, including Cheryl Frances-Hoad’s The Ogre Lover, based on a poem by Ted Hughes about Smith College graduate Sylvia Plath.

The Fair Trade Trio has completed two tours, in 2015 and 2017, of the Pacific Northwest where it performed at the Silk Purse Arts Centre in Vancouver, BC; the Oak Bay chamber music series in Victoria, BC; and the KidsQuest museum in Seattle, WA. The Trio also made its debut in 2017 at the Old Church in Portland, OR and at the Resonance at SOMA Towers in Seattle, WA with Seattle Symphony pianist Li-Tan Hsu. For this tour, as part of its mission to champion the works of living female composers, the Fair Trade Chamber Music Society commissioned composer Emily Doolittle to compose a piece for its 2017 tour and it performed the world premiere of her work, Field Guide, in Vancouver.

As passionate about teaching as it is about performing, the Fair Trade Trio has developed partnerships with several area music programs including the WHIN Music Project, the Corona Youth Music Project, the Bronx Global Learning Institute for Girls, and the Frank Sinatra School of the Arts. All educational partner schools receive free performances at their schools and complimentary admission to Fair Trade concerts. Each season, the Fair Trade Trio performs for Music for Autism, a concert series focused on enhancing quality of life and raising public awareness through free, autism-friendly, interactive concerts developed specifically for individuals with autism and their families.

Our Saviour’s Atonement Church Choir OSA Christmas ​Festival

An afternoon of readings, familiar carols, and anthems for the season, led by the church choir, and assisted by handbells, string orchestra, and vocal and instrumental soloists. Seasonal refreshments will follow.


About the Director
Paul F. Mueller is a versatile musician who has excelled in operatic, orchestral and choral repertoire. Recent European appearances include performances of Haydn’s Theresienmesse in Vienna and Mozart’s Requiem in London and Oxford with the English Chamber Orchestra. Other engagements include performances by Brahms, Monteverdi, Rossini, and Vivaldi in the Czech Republic, Italy, France, Spain and Hungary. Paul has appeared as guest conductor of the New Haven Symphony Orchestra’s Holiday Pops and the New York Pops at Carnegie Hall; and, on the operatic side, has conducted performances of the Barber of Seville, La Traviata, and La Boheme. A Professor of Music at Hunter College in New York City and Music Director of Our Saviour’s Atonement Church, Paul has taught at Yale University, the State University of New York, and Hofstra. An accomplished organist, he earned an Artist’s Diploma at the Hochschule fur Musik in Vienna and holds masters and doctoral degrees in Choral Conducting from Indiana University School of Music.

Carnegie Hall Citywide Concerts at Our Saviour’s Atonement: Paul Brantley & Friends

Composer and cellist Paul Brantley PAUL BRANTLEY will be joined by pianist Arielle Levioff, and composer and pianist Rich Shemaria in a program of music spanning from the 15th Century to pieces composed last week. In addition to the music of “Anonymous, 14th Century, Brantley, Buxtehude, Tina Davidson, Shemaria, and Joseph Zawinul, Brantley will perform the beloved Suite in D minor for solo cello by J.S. Bach. Please come enjoy world-class neighborhood musicians in support of Our Saviour’s Atonement’s Boiler Replacement Fund.

About the performers
Composer and cellist, Paul Brantley, is a five-time MacDowell Colony Fellow who has also received fellowships from Banff Centre and The Anderson Center. He has recently enjoyed performances of his music by The Knights, Horszowski Trio, Flux Quartet, Minneapolis Guitar Quartet, New Esterházy Quartet, and Memphis Symphony. Brantley recently composed a cello concerto, The Royal Revolver, for Eric Jacobsen (The Knights) premiered by the University of Michigan Symphony conducted by Kenneth Kiesler. He is
currently composing a Concerto for Two Pianos and Orchestra for Aventure Piano Duo for a 2020 Moscow premiere. His On the Pulse of Morning will receive performances this spring on the 25th anniversary of its composition by the Washington Heights Chamber Orchestra in NYC. He co-founded the Seal Bay Festival and was artist faculty at Yellow Barn Music Festival. In addition to positions at Syracuse University and Washington and Lee University, Brantley was a Manhattan School of Music artist faculty from 2000 to 2014.  He was invited to give a composition seminar at Yale University in 2012. He is director and cellist of the newly formed Mercury Chamber Players. His music is published by Oxford University Press and Bill Holab Music.