Christopher Avilez is a classical guitarist with masters degree in Musical Interpretation from the FaM at the UNAM, the University of Alicante and the Escola Superior de Música de Catalunya (ESMUC). He has made academic stays in the Klagenfurt’s, Conservatory Austria with Marco Tamayo and the Frankfurt am Main’s Conservatory Germany with Thomas Bittermann. With a successful international career, Christopher has participated as a soloist with different orchestras, such as the Chamber Orchestra of Morelos, the Mexican Orchestra of the Arts, the “Carlos Chávez” Orchestra, the Simphony Orchestra of Cuenca and the Simphony Orchestra of Cusco, only to mention a few. In the international arena he has been presented in Andorra, Austria, Belgium, Bolivia, Colombia, Ecuador, France, Germany, Italy, Mexico, Peru, Slovenia, Spain and United States.

His discography is comprised of five productions: XIII Sonatas for guitar and figured bass by Juan Antonio de Vargas y Guzmán (Veracruz, 1776); Imágenes… memoria. Contemporary mexican music for flute and guitar; Concerto for Classic Guitar & Jazz Piano Trio by Claude Bolling. Fisis Quartet; Sudamérica Seductora. Latin American music Douze Études by Villa-Lobos, La Catedral by Barrios Mangoré, Sonata Op. 47 by Ginastera and Terruño by Sinesi; “Al pie de volcán” Unreleased work for solo guitar by Pedro Ximenez Abril y Tirado (1784-1856).

Christopher has been awarded with more than 20 prizes in national and international contests of classical guitar interpretation, and he has also been granted national and international incentives and fellowships, such as the State Youth Award (2013), Programa de Estímulo a la Creación y Desarrollo Artístico (2008, 2018), Programa de Creadores Escénicos (2011) and Programa de Fomento a Proyectos y Coinversiones Culturales (2019) from the Fondo Nacional para la Cultura y las Artes (FONCA).