Tag Archives: Inwood

Morris-Jumel Virtual Parlor Chat: The Making of “Faces and Facades” with Andrea Arroyo

This Women’s History Month, celebrate the Women of Washington Heights with Andrea Arroyo as she takes you through the process of creating her exhibition “Faces and Facades”. ​​The project is a love letter to the uptown community and the women who hold it together. The paintings in the exhibition blend organic and non-organic forms, inspired by the women and architecture of Northern Manhattan. Creatives, visual artists, and feminists alike will be inspired by the passion Andrea brings to her work and community.

About Andrea Arroyo: 

“Andrea Arroyo is an award-winning artist who works in various media, including painting, site-specific installations, and public art. Ms Arroyo has presented sixty individual and over 200 group exhibitions, her work is collected internationally and is in the permanent collections of the Library of Congress, the National Museum of Mexican Art, the Richmond Museum, the Smithsonian Institute, and the New York Public Library and many other institutions.She has received numerous recognitions, including The New York Women’s Foundation Award, two Fellowships from the New York Foundation for the Arts, The United Nations Lurie Award, Artist Employment Creative Rebuild New York Fellowship, Global Citizen Award Artist, Clinton Global Initiative, San Antonio de los Baños International Biennial Award, Hispanic Federation/NoMAA/Google Art Award, and multiple grants from the Northern Manhattan Arts Alliance, the Puffin Foundation, the Harlem Arts Alliance, the Upper Manhattan Empowerment Zone, and the Lower Manhattan Cultural Council. Additional honors include Heroes of the Pandemic, Official Artist of the Latin Grammy, Outstanding Woman of New York, Groundbreaking Latina in the Arts, and Outstanding Latina of the Year. Arroyo’s book ImagiNATIONS: Art as Solidarity won the Gold Medal for Best Art Book at the International Latino Book Awards. Public art projects include permanent indoor and outdoor artwork for private, institutional, and corporate spaces, including the New York City Subway and two public schools.Her artwork has been published extensively, including on The New Yorker’s cover, The New York Times, The Nation, and Le Monde. It has also been the subject of over two hundred features in the international media.”

Dyckman Farmhouse – New Research on Enslavement in Upper Manhattan: A DyckmanDISCOVERED Update

The Harlem African Burial Ground: History Beneath Our Feet
February 12th at 12PM

VIRTUAL VIA ZOOM

Register here: https://dyckmanfarmhouse.org/event/the-harlem-african-burial-ground-history-beneath-our-feet/

As a cemetery for free and enslaved Africans from the mid-1600s to the mid-1800s, the Harlem African Burial Ground is a sacred site of New York City’s early history, and yet for decades the site was forgotten and disrespected. Through tireless research and advocacy, community advocates brought this history to light, and now the New York City Economic Development Corporation is leading efforts to properly memorialize and honor the people buried there. Join the Harlem African Burial Ground Initiative and NYCEDC in conversation to learn about this crucial history, the role of urban planning in historic preservation, and the vision for the future memorial, cultural education center, and mixed-use project planned for the site.

Agenda:

  • Remarks from Sharon Wilkins, Manhattan Borough Historian Emerita (20 min)
  • What is the history of this site?
  • How was the site rediscovered?
  • What is the importance of memorializing this site? What does it reveal about the city’s history?
  • Presentation from EDC (20 min)
  • How did EDC’s partnership with the Initiative begin and evolve? How can advocates and government work together?
  • What is the role of urban planning in historic preservation and memorialization?
  • Moderated Q&A (20 min)

This program is supported by the Ministry of Education, Culture and Science of the Kingdom of the Netherlands, through the DutchCulture USA FUTURE 400 program of the Consulate General of the Netherlands in New York.

 

El Cementerio Africano de Harlem: Historia Bajo Nuestros Pies

12 de febrero a las 12 PM

VIRTUAL VIA ZOOM

Regístrese: https://dyckmanfarmhouse.org/event/the-harlem-african-burial-ground-history-beneath-our-feet/

Como cementerio para africanos libres y esclavizados desde mediados de la década de 1600 hasta mediados de la década de 1800, el Cementerio Africano de Harlem es un lugar sagrado de la historia temprana de la ciudad de Nueva York. Sin embargo, durante décadas el sitio fue olvidado y faltado al respeto. A través de una incansable investigación y defensa, los defensores de la comunidad sacaron a la luz esta historia, y ahora la Corporación de Desarrollo Económico de la Ciudad de Nueva York está liderando los esfuerzos para conmemorar y honrar adecuadamente a las personas enterradas allí. Únase a la Iniciativa del Cementerio Africano de Harlem y NYCEDC en una conversación para aprender sobre esta historia crucial, el papel de la planificación urbana en la preservación histórica y la visión del futuro monumento, centro de educación cultural y proyecto de uso mixto planificado para el sitio.

Agenda:

Saludos de Sharon Wilkins, Historiadora Emérita del Distrito de Manhattan (20 min)

¿Cuál es la historia de este sitio?

¿Cómo se redescubrió el sitio?

¿Cuál es la importancia de conmemorar este sitio? ¿Qué revela sobre la historia de la ciudad?

Presentación de EDC (20 min)

¿Cómo comenzó y evolucionó la asociación de EDC con la Iniciativa? ¿Cómo pueden trabajar juntos los activistas: y el gobierno?

¿Cuál es el papel de la planificación urbana en la preservación y conmemoración histórica?

Preguntas y respuestas moderadas (20 min)

Este programa cuenta con el apoyo del Ministerio de Educación, Cultura y Ciencia del Reino de los Países Bajos, a través del programa DutchCulture USA FUTURE 400 del Consulado General de los Países Bajos en Nueva York.

Inwood Art Works: A Christmas Carol

Film Details — 1951, Great Britain.
Run Time — 86 minutes

Inwood Art Works presents an exclusive holiday screening for the whole family

Charles Dicken’s
A Christmas Carol

Original Black and White – 1951, Great Britain, 86 minutes.

Alastair Sim’s tour-de-force performance as the ultimate miser, Ebenezer Scrooge, has almost single-handedly made this beloved version of Charles Dickens’ story into one of the best-loved Christmas films of all time. Bring your family and friends and join the Inwood community in celebrating the season!

Friday, December 20 at 7:30pm
Good Shepherd Auditorium. 620 Isham Street.
$10 Adults, $5 Children.

Christmas cookies and sweets, popcorn, beer, wine, and soda available for purchase.

Proceeds support Good Shepherd School.