Tag Archives: Black History

Word Up Recirculation – Barnard Center for Research on Women: The Elsewhere is Black

Join BCRW for an exciting book salon honoring Marisa Solomon’s 

The Elsewhere is Black: Ecological Violence and Improvised Life!

Join us for an exciting book salon in celebration of Barnard Assistant Professor of Women’s, Gender, Sexuality Studies Marisa Solomon’s The Elsewhere Is Black: Ecological Violence and Improvised Life with J.T. Roane (Geography, Rutgers) and Mon M., moderated by C. Riley Snorton (English & Comparative Literature and ISSG, Columbia).

In The Elsewhere Is Black, Solomon examines how waste is a mundane part of poor Black survival and a condition of settler colonial racial capitalism. Tracing the flow of trash and waste across Black spaces, from Brooklyn’s historically Black Bedford-Stuyvesant to the post-plantation towns of Virginia’s Tidewater, Solomon contends that waste infrastructures concentrate environmental risk in an elsewhere that is routinely Black.

She theorizes the relationship between the devaluation of land and Black and more-than-human life to reveal how the risks of poisoning, police violence, dispossession, and poverty hold Black life captive. Highlighting the creativity and resilience that emerge amid these conditions, Solomon, Roane and Monhapatra will invite us to consider collaborative conversations across new eco-political possibilities that center the book’s fundamental ask: What forms of environmentalism arise when Black un/freedom has always been entangled with waste?

Additional information is available on the BCRW event page.
Marisa Solomon is an Assistant Professor of Women’s, Gender and Sexuality Studies at Barnard College, Columbia University, where she teaches courses in feminist intersectional science studies, abolitionist ecologies, Black geographies, feminist theory and queer of color critique. Her new book, The Elsewhere is Black: Ecological Violence and Improvised Life (Duke University Press 2025), which received Duke University Press’s Scholar of Color First Book Award, considers ecological politics from the position of criminalized Black dispossession. In so doing, The Elsewhere Is Black examines how waste is a mundane part of poor Black survival and a condition of settler colonial racial capitalism in the U.S. Locating Black survival as a site from which alternative eco-political imaginations spring, she foregrounds how people live and dream amidst waste’s daily accumulation. Solomon opens new ecological horizons to ask: What forms of environmentalism emerge when Black un/freedom has never been distant from waste?

She has written a number of articles on the relationship between waste and Black life including “The Ghetto is a Gold Mine” for the Journal of Labor and Working-Class History and “Ecologies Elsewhere” for GLQ: A Journal of Gay and Lesbian Studies, and “Living with Harm” forthcoming in Scholar and Feminist Online. Her work also appears in a number of edited volumes, including Waste as Critique (Oxford University Press), Black Environmentalisms (forthcoming with Duke University Press), The Politics of Disposability: Discard Studies in an Era of Devaluation (also forthcoming with Duke) as well as in a compilation of essays for the 2023 Venice Biennial on Everlasting Plastics. She is currently the director of Barnard’s interdisciplinary Race and Ethnic Studies Minor (ICORE/MORE), an editorial board member of Women’s Studies Quarterly (WSQ) and Scholar and Feminist Online and the former co-director of the Black Atlantic Ecologies Working Group at the Columbia Center for the Study of Social Difference, where she was affiliated with the Earth Institute.

Mon M. (they/she) is a spadeworker and propagandist from India, based in New York City. Mon’s work focuses on challenging and interrupting carceral expansion in the US, and beyond, through community and cultural organizing across experiences of gender, migration, and disability. Their writing explores internationalist anti-caste and feminist solidarities, as well as techniques of organizing within and against the scourge of authoritarian violence while resisting reformist and liberal capture.

C. Riley Snorton is Professor of English and Comparative Literature and jointly appointed with the Institute for the Study of Sexuality and Gender at Columbia University. As a cultural theorist, his work focuses on racial, sexual, and transgender histories and cultural productions in Africa and the Diaspora. He is the author of Nobody Is Supposed to Know: Black Sexuality on the Down Low (University of Minnesota Press, 2014) and Black on Both Sides: A Racial History of Trans Identity (University of Minnesota Press, 2017), winner of the John Boswell Prize from the American Historical Association, the William Sanders Scarborough Prize from the Modern Language Association, the Lambda Literary Award for Transgender Nonfiction, the Sylvia Rivera Award in Transgender Studies from the Center for Lesbian and Gay Studies, and an honorable mention from the American Library Association Stonewall Book Award Committee. Snorton is a co-editor of Saturation: Race, Art and the Circulation of Value (MIT Press/New Museum, 2020) with Hentyle Yapp and The Flesh of the Matter: A Critical Forum on Hortense Spillers (Vanderbilt University Press, 2024) with Margo Natalie Crawford. He also co-authored the book, A Black Queer History of the United States (Beacon Press, 2026) with Darius Bost. Snorton is currently working on his third single-author monograph, Black Trans Matters, which extends and proffers theories, practices, and material reflections on global black trans life. Working at the conjuncture of Black ecocriticism and trans studies, Black Trans Matters engages with questions of historicity, extraction, representability, and transformation.

J.T. Roane is author of the award winning book Dark Agoras Insurgent Black Social Life and the Politics of Place (NYU 2023). He is assistant professor of Africana Studies and Geography and co-directs the Black Ecologies Lab at Rutgers. Roane serves on the board for an Indigenous and Black led food and environmental justice organization in Virginia’s Tidewater, Just Harvest.

Co-sponsored by Barnard’s Women’s, Gender, and Sexuality Studies department.

RESHEDULED – Dyckman Farmhouse: Bearing Witness: An Update on the Journey Toward Collaboration, Repair and Return at the Inwood Sacred Site and African Burial Ground

Bearing Witness: An Update on the Journey Toward Collaboration, Repair and Return at the Inwood Sacred Site and African Burial Ground

By Peggy King Jorde and Rachel Watkins

Thursday, August 29th at 6PM on the back porch at DFM

In Inwood until  the late 1800s, the Dyckman and Nagel family cemeteries remained with grave markings, enclosed by a fence, and appeared to be a well kept rural cemetery. A few hundreds yards away were unmarked graves of enslaved Africans. During rapid development in the early 20th century, the site was discovered in March of 1903, and again, no means of protection came for those buried in this hilly knoll, and the bodies were exhumed, examined, and stolen.

The location of the Inwood Sacred Site lies between today’s 211th and 212th Streets, between Broadway and 10th Avenue. Until recently, this block was occupied by various Auto Shops and P.S. 98 – Shorac Kappock’s faculty parking lot. The local community of Inwood is fighting to raise awareness and gain recognition of this sacred site that was sadly desecrated a century ago. Hear from the team behind the Inwood Sacred Site Memorial at this session of Back Porch History at the Dyckman Farmhouse Museum.

 

Dando testimonio: Una actualización sobre el viaje hacia la colaboración, la reparación y el regreso en el Sitio Sagrado de Inwood y el Cementerio Africano.

Por Peggy King Jorde y Rachel Watkins

Jueves 22 de agosto a las 6 PM en el porche de la casa histórica y museo Dyckman.

En Inwood hasta finales de 1800, los cementerios de las familias Dyckman y Nagel permanecieron con tumbas marcadas, protegidos por una valla y parecían ser cementerios rurales bien cuidados. A unos cientos de metros había tumbas sin marcas de africanos esclavizados. Durante el rápido desarrollo de la ciudad a principios del siglo XX, el sitio fue descubierto en marzo de 1903 y de nuevo, no llegó ningún medio de protección para los enterrados en esta colina. Los cuerpos fueron exhumados, examinados y robados.

La ubicación del Sitio Sagrado de Inwood se encuentra entre las calles 211 y 212, entre Broadway y 10th Avenue. Hasta hace poco, este bloque estaba ocupado por varios talleres mecánicos y el estacionamiento de la facultad de P.S. 98 – Shorac Kappock. La comunidad local de Inwood está luchando para crear conciencia y ganar reconocimiento de este sitio sagrado que fue profanado hace un siglo. Escuche al equipo detrás del Memorial del Sitio en esta sesión de Historia en la casa histórica y museo Dyckman.

“I Was Their Midwife”: Pregnancy, Childbirth, and Motherhood on Seventeenth-Century Slave Ships

“I was their midwife”: Pregnancy, Childbirth, and Motherhood on Seventeenth-Century Slave Ships

By Dr. Andrea Mosterman

August 28th at 12PM
VIRTUAL; FREE
Register here

Ships are usually seen as masculine spaces, and slave ships are no exception. But as the slave voyages database shows, about a fourth of the captives transported on board seventeenth and eighteenth-century Dutch slavers were in fact women. In this presentation, I explore the experiences of women on board these slavers, paying special attention to pregnancy, childbirth, and motherhood in these spaces.

 

“Yo Fui su Partera”: Embarazo, parto y maternidad en barcos de esclavos del siglo XVII.

Por la Dra. Andrea Mosterman

28 de agosto a las 12PM

VIRTUAL VÍA ZOOM

Los barcos son usualmente vistos como espacios masculinos y los botes que transportaban esclavos no eran la excepción. Pero las bases de datos de esclavizadores holandeses de los siglos XVII y XVIII demuestran que un cuarto de todos los esclavos transportados eran mujeres. En esta presentación exploro las experiencias de estas mujeres a bordo de estas naves, prestando atención especial al embarazo, parto y maternidad en estos espacios.