Dates: February 23 – June 30, 2024
Co-curators: Reynaldo García Pantaleón, Chiqui Mendoza, & Rider Ureña
Dates: February 23 – June 30, 2024
Co-curators: Reynaldo García Pantaleón, Chiqui Mendoza, & Rider Ureña
UP Theater Company presents
LOST SOCK LAUNDRY
by Ivan Faute
Directed by Madelyn Chapman
In an Astoria laundromat, three immigrant women confront their differences while negotiating the unwritten rules of washer and dryer etiquette, revealing what our country could be.
Tickets – $25 ($15 for seniors and students with I.D.)
Featuring:
Jesse Castellanos*
Michelle Feza Kuchuk*
Fernando Mateo, Jr.
Haneen Arafat Murphy*
Maria Peyramaure*
Yasmin Ranz-Lind
April 10 – April 13 @ 8pm
April 17, 18, 20 @ 8pm
April 24 – April 27 @ 8pm
April 27 Matinee @ 3pm
Spanish translated perfs April 17 & 20 @8pm. April 27 @3pm.
ASL translation April 25 @8pm
for information on these performances, contact laura@uptheater.org
Ft. Washington Collegiate Campus Sanctuary
729 W. 181st St., New York, NY 10033
Tickets – $25 ($15 for seniors and students with I.D.)
A paper show of a collection of preparatory sketches, engineering drawings, and images for a scultural installation to open in Inwood Hill Park on April 11th
Rose B. Simpson is a Native American artist.
Join Word Up for a book salon honoring Emilie Boone and her new book A Nimble ARC: James Van Der Zee and Photography, about the renowned Harlem Renaissance photographer with professors Janée Moses & Laurie Woodard. The conversation will be moderated by Vanessa K. Valdés, author of Diasporic Blackness: The Life and Times of Arturo Alfonso Schomburg.
This event is a $5 suggested donation ticket with 30 max attendees. Please register in advance.
In compliance with Word Up Community Safety guidelines, all attendees for this event must wear a mask inside.
Word Up Community Bookshop is located at 2113 Amsterdam Ave. (& 165th St.) in Washington Heights, NYC. You can take the 1 train to 168th St and the A/C train to 163rd or 168th St.
While James Van Der Zee is widely known and praised for his studio portraits from the Harlem Renaissance era, much of the diversity and expansive reach of his work has been overlooked. From the major role his studio played for decades photographing ordinary people and events in the Harlem community to the inclusion of his photographs in the landmark Harlem On My Mind exhibition at the Metropolitan Museum of Art in 1969, Van Der Zee was a foundational Black photographer whose work illustrates the shifting ways photography serves as a constitutive force within Black life. In A Nimble Arc, Emilie Boone considers Van Der Zee’s photographic work over the course of the twentieth century, showing how it foregrounded aspects of Black daily life in the United States and in the larger African diaspora. Boone argues that Van Der Zee’s works exist at the crossroads of art and the vernacular, challenging the distinction between canonical art photographs and the kind of output common to commercial photography studios. Boone’s account recasts our understanding not only of this celebrated figure but of photography within the arc of quotidian Black life.
Emilie Boone is an assistant professor of African American/African Diaspora Arts in the Department of Art History at New York University. She researches and teaches the art and visual culture of the African Diaspora with a focus on vernacular photography and global encounters.
Janée Moses, Assistant Professor of English, specializes in African American Literature, 20th-century black expressive cultures, and oral history theory and methodology. Her current book project is an intertextual study of black women’s life writing and performances that combines extraordinary pursuits and ordinary experiences to highlight the fullness of their lives. Her writing appears in publications including Rejoinder and BOMB Magazine. An established oral historian, Moses serves as the Director of BOMB Magazine’s Oral History Project, preserving the narratives of black visual artists in America.
Laurie Woodard began her professional career as a dancer with the Dance Theater of Harlem and completed her PhD in History and African American Studies at Yale University. She is an Associate Professor of History and Black Studies at The City College of New York. Her research focuses upon the intersection between the cultural and political realms and employs interdisciplinary methodologies drawing from cultural and sociopolitical history, critical race theory, and women and gender studies. Her work, which has been supported by the National Endowment for the Arts, the Schomburg Center for Research in Black Culture, the Mellon Foundation, and PSC-CUNY, has appeared in The Journal of African American History, The New York Times, and American Quarterly. She is the author of A Real Negro Girl: Fredi Washington and the New Negro Renaissance (Oxford University Press, 2024).
Vanessa K. Valdés is the Associate Provost for Community Engagement at The City College of New York. She is the author and editor of several books, including Diasporic Blackness: The Life and Times of Arturo Alfonso Schomburg.
NoMAA presents the 15th annual exhibition of Women in the Heights
Curated by Andrea Arroyo
NoMAA Gallery – 4140 Broadway @176 St, NY, NY 10033
Artist Talk: April 25, 2024, 6-8pm
Gallery Hours: Tuesdays and Saturdays 1-5pm and by appointment
Last Day: Tuesday May 7, 2024
Featuring 44 artists from El Barrio, West Harlem, Washington Heights and Inwood
Nadema Agard, Robbie Bailey, Carla Bellisio, Yael Ben-Zion, Julie Berman, Chandler Borrero, Junell Brazier, Melanie Brewster, Miggy Buck, Cathleen Campbell, Lisa Candela, Arcadia Caraballo, Rose Deler, Elsie Deliz, Raquel Du Toit, Maria Fernandez, Kat Gooch-Breault, Wilhelmina Grant-Cooper, Josefina Hernandez, Kathleen Holloway, Camilla Huey, Charlecia Joy, Julia Justo, Chae Kihn, Rafaela Luna, Patricia Miranda, Tomo Mori, Adaley Muñoz, Rosa Naparstek, Sky Pape, Denise Penizzotto, Bonnie Phillips, Leah Poller, Kathia Regalado, Darcy Rogers, Melvis Santa, Kaé Sato, Uniqua Simmons, Debbie Taylor-Kerman, Rafaelina Tineo, Tami Tyree, Ruthy Valdez, Tamara Wasserman, Patrice Yourdon
PLEASE RSVP
Those arriving without an RSVP will be admitted based on capacity.